Here is my version of Rima's workshop assignment number 1, "Lilypad."
The Photoshop steps I took were:
1. Opened the Lilypad image, selected all, and copy. Left that image opened.
2. Opened a new image, pasted the image as a new layer, reduced the layer opacity to 25%, just so I could barely see it.
3. Opened a new layer, then going to back and forth, using the original image as a pallet, I dipped my dipper into it for colors, and painted on top of the nearly transparent layer. One of the things I was pleased to discover during this assignment -- and I suspect Rima had hoped we would stretch ourselves to learn new things -- was the ability to change the paint brush option from Normal to Behind which worked great for me because I started with the center of the flower and built outward.
4. After "painting" in the detailed elements, it was time to figure out how to do the water. (I think I work backwards, don't you?) I used a really big brush, one that had feathered edges, and set the opacity to about 40 and kept re-painting around my details, allowing for there to be lighter and darker areas in the water. A happy accident in painting the water was I found that touching the edges of the painted details gave them some quasi-shadows.
5. Lastly, I merged all my layers, selected all, copied, then pasted into the same image. Then I set that latest layer's opacity to 50% and pointilized it. (I tried pointilizing the original "painting" first, but it was too harsh, much too Photoshop-Effecty.)
And then I called it done. Because as you probably know, once you get started playing in Photoshop it's hard to know when to quit!
If I had anything to share in my bag of "tricks," it would be changing the opacity setting on layers. This helped me:
- "Trace" my "painting" over the original image.
- Subdue the effects of artistic filters.
Three cheers for Rima for giving us this fun assignment! I learned something new in doing my "homework." I bet you did too.